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четвер, 13 жовтня 2011 р.

F@ck The Facts - DIE MISERABLE Review

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Fuck The Fuck продолжает радовать поклоников грайдкора новыми релизами, надо заметить - качественными релизами. Если прослушать первую песню до середины можно сделать вывод - брутальный хардкор перетекающий в грайдкор (или mathcore как вам будет удобнее) НО продвигаясь дальше в глубину звуковых джунглей альбома DIE MISERABLE сталкиваешься с многогранностью этого канадского коллектива. На новом альбоме FTF не успеваешь и глазом моргнуть, как 35 минут проносятся как скоростной поезд без остановок. Помимо грайдкора FTF втиснули mathcore, eclectic metal, даже рок и прогрессив метал всё в рамках грайдкора - Главное эти стили не звучат отдельными кусками в песне, а сначала их расплавили в дуговой сталеплавильной печи - затем сделали монолит вмещающий множество музыкальных идей и подали на стол. Приятного аппетита. Рекомендую для всех поклонников хорошего грайда - Michael Grindcorefan Krivoshey
1 Drift (3:56)
2 Cold Hearted (4:37)
3 Lifeless (3:05)
4 Census Blank (7:25)
5 Alone (4:12)
6 Die Miserable (1:35)
7 A Coward's Existence (4:10)
8 95 (6:17)
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5 коментарів:

  1. Ottawa’s Fuck the Facts is back with their eagerly-awaited new album Die Miserable. This extreme metal band brings it heavy with each release and their latest effort is no different. Technically, they have the chops to compete with most bands out there and, vocally, they are as solid as ever.

    This is a release that will test your metal fortitude for sure. With politically-charged lyrics and hate-filled themes, this release will satisfy most extreme metal fans as well as fans of grindcore and hardcore. This is one not to be missed for fans of these genres.

    Ottawa’s FUCK THE FACTS return with their long-awaited new album Die Miserable. Set for release in North America via Relapse Records on October 11th, Die Miserable was recorded between tours at the band’s own home studio. Featuring over 35 minutes of FUCK THE FACTS’ scorching blend of socio-politically-charged grind, hardcore and metal fans worldwide have embraced for the past decade, the album showcases some of the finest work the band has embodied to date. Even heavier than their previous works, the album sees the band exorcise darker shades of metal and varied strains of punk amongst their imitable grinding attack. No matter the synthesis, Die Miserable is relentlessly heavy and a furious assault from front to back from one of metals most underrated and prolific bands.
    http://wickedchannel.com/2011/09/metal-review-fuck-the-facts-die-miserable-2011/
    by Mike in Metal Reviews

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  2. With Fuck the Facts, there is no point of reference. The band's fierce creativity renders metal genre taxonomy useless. Beyond grindworthy vocals, their past work gives little indication of their future direction. These facts would be troublesome if the band didn't consistently sculpt fascinating and cohesive releases. It took me a good month of listening to wash away my preconceptions and expectations for Die Miserable. I found the album instantly appealing, but wrapping my head around its sonic dimensions was another matter altogether. Eventually, I began to understand the task at hand; fuck everything you know, wipe clean your mental slate and witness aural Armageddon.

    Die Miserable feels elastic. Riffs frequently flow into each other via distorted dilations that exploit some wobble in the space-time continuum. The breathless, precise rhythmic execution propels us through oscillating wormholes of sound. This marvel of psychoacoustics shapes the album, but it is only one of its multifarious devices. Although a grindcore mentality guides the proceedings, little credence is given to its confines. When Topon Das and company break into a chugging bit of their patented melodic grind, the results feel familiar and comforting. These moments, however, are fleeting; Die Miserable is relentlessly dynamic.

    Many of the album's passages bleed into realms of death metal, resembling the crawling crepitations of Morbid Angel. In “Lifeless,” the band slap you in the face with a wicked “Where the Slime Live” wet noodle groove. “Census Black” features an impressive, strumming Opethian waltz, with lead guitars that evoke skillful Soilworkmanship. In “A Coward's Existence,” infectious, progged-out leads soar over a barrage of blastbeats. Ripping, bluesy solos simmer over crooked, crunchy contortions in “95.” A sweet, siren-like guitar line punctuates Mel Monegeon's spoken word as the album fades out. Keep up if you can; mesmerizing riffs of many stripes demand your constant attention.

    Sitting down with the lyric sheet helps to tie the album together, reminding us that Fuck the Facts are socially conscious and self-aware. Die Miserable visits lyrical realms of corrupt politics, self-loathing, weak-minded religiosity and applied schizophrenia. “Drift” is a haunting examination of a decaying friendship. “Census Blank” provides thoughtful meditation on the century old battles of suffragettes in fighting for women's rights. Mel Monegeon's vocal presentation is as harried and harrowing as ever, deploying screams that would destroy the throat of a mortal woman. Die Miserable features intricate verbal injections from bass player Marc Bourgon, stealing single words in the middle of a sentence or joining in on particular phrases to create fleeting gang vocals. The effects are marvelous.

    The word 'eclectic' is usually construed as a metal epithet. Fuck the Facts beg to differ; they've once again molded multifaceted structures into a ferocious, stylistically whole edifice. Whether focusing on grand melodic movements or intricate, precipitous blasting, Die Miserable simply slays. Fuck the Facts prevail with songwriting prowess, riffs and character. Fuck 'em all.

    Posted by Atanamar Sunyata on October 11, 2011
    http://www.metalinjection.net/reviews/fuck-facts-die-miserable

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  3. Christ, this office is a nightmare lately, so I'm gonna make this quick: Ontario's own Fuck the Facts has a new blizzard of grinding chaos out now by the name of Die Miserable, and it's a motherfucker. Straight-for-the throat schizophrenic death/grind with a gritty punk-metal mentality... reminds me of crusty grind bands like Sayyadina hanging out in Converge's rumpus room with Mumakil.

    Much like their last album Disgorge Mexico, it's pretty goddamn good. But god, could someone please help these guys with some decent cover art?
    The Living Doorway
    http://thelivingdoorway.blogspot.com/2011/09/fuck-facts-die-miserable-2011.html

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