Bloodstock Tickets
вівторок, 12 жовтня 2010 р.
Give Praise is now part of the DEADWEBZINE family!
Give Praise is now part of the DEADWEBZINE family! Check their page out, interview, reviews, etc. Metal, Punkrock, Powerviolence, Grind! There is a Give Praise news feed there, as well as News Feeds for a slew of labels! Radical!
Ideal Bread, A Steve Lacy Repertory Band, Releases 2nd CD, Transmit on Cuneiform Records June 8th
deal Bread Release 2nd Album,
Transmit, Vol. 2 of the Music of Steve Lacy
Exploring The Underappreciated Original
Compositions of Steve Lacy
Album Streets June 8, 2010 on Cuneiform Records
Ideal Breads Plays Two NYC Gigs in June:
Sun. June 6 — Live Studio Event @ 58№ 6 Media Labs — 8:00 PM
Sun. June 13 — Undead JazzFest @ Kenny's Castaways — 6:40 PM
Transmit, Vol. 2 of the Music of Steve Lacy
Exploring The Underappreciated Original
Compositions of Steve Lacy
Album Streets June 8, 2010 on Cuneiform Records
Ideal Breads Plays Two NYC Gigs in June:
Sun. June 6 — Live Studio Event @ 58№ 6 Media Labs — 8:00 PM
Sun. June 13 — Undead JazzFest @ Kenny's Castaways — 6:40 PM
Cuneiform Records is very proud to release Transmit, the second album from the Steve Lacy repertory band Ideal Bread. The quartet of expert improvisers and composers includes baritone saxophonist Josh Sinton, cornetist Kirk Knuffke, bassist Reuben Radding and drummer Tomas Fujiwara; they adhere to Lacy’s unique vision while giving each composition new life with their unique approach to free improvisation and ensemble interplay.
If anyone deserves such a project, it is soprano saxophone innovator Steve Lacy (1930—2004). He was an integral component of Cecil Taylor’s first unit, having emerged from the Dixieland revival of the late 1950s; he would then go on to liberate the soprano saxophone and reform the landscape of composition in improvised music. “Steve Lacy is one of the most idiosyncratic composers in what we call free jazz,” states Josh Sinton. “People who love free music may initially have a hard time coming to terms with his work, because they aren’t ready for the repetition and traditional rigor he brought to his pieces.”
Sinton has first-hand experience with Lacy’s brand of disciplined freedom. The group has performed with Lacy’s widow and long-standing collaborator, cellist and vocalist Irene Aebi, and she introduced Sinton to some of the tunes on Ideal Bread’s second release. However, Sinton’s relationship with Lacy’s work long predates that association. He studied with the revered soprano saxophonist from 2002—2004, as he finished up a graduate degree in jazz performance at New England Conservatory. “I took lessons from him and served as his copyist, but I also would catch his shows as often as I could. Often, we would just get together and talk. I learned something from him on every occasion.”
Upon moving to Brooklyn, New York in the summer of 2004, Sinton would bring Lacy’s music to many of his introductory sessions. “Not many people were playing Lacy’s pieces in New York at that time,” states Sinton. “Really, it had to do with the paucity of scores, and that no one was transcribing what didn’t exist in score.” Sinton proceeded to do just that, amassing a formidable library of transcriptions from which Ideal Bread draws inspiration. The music is a continual source of challenge and inspiration to Sinton. “I’m still mystified by Lacy’s approach,” Sinton muses. “Some of his writing has the repetitive quality of a nursery rhyme, some of it is more akin to Webern or other atonal composers. I’d watch Steve respond to questions about his compositional method by playing the compositions, and I am also coming to terms with the music by playing it.” The group began as a trio, Fujiwara only joining after Ideal Bread’s first six months of existence. The lineup has remained constant since, and the group has been performing regularly since 2006.
(L-R: Tomas Fujiwara, Reuben Radding, Kirk Knuffke, Josh Sinton)
Sinton compares Ideal Bread’s approach to Lacy’s championing of iconoclasts such as Thelonious Monk or Herbie Nichols. “I listen to multiple versions of a tune, and I treat the repeated elements as the composition; the rest is determined case by case.” Despite wishing to remain loyal to Lacy’s conceptions, the quartet’s 2008 eponymous debut (KMB) demonstrated with force that Ideal Bread is no mere group of imitators. Transmit makes the case even more clearly. Their rollicking reading of “The Dumps” combines elements from several versions of the tune, which Lacy performed in both solo and ensemble situations. The trilled introductory passage is there, as might be heard on Lacy’s Sands rendition, but Ideal Bread adds a whimsically wicked vocal break before launching into the fleet-footed melody proper. Lacy’s trademark near-unisons stand out as Radding and Fujiwara provide angular and rhythmically varied support to Sinton and Knuffke as they blow over this freebop masterpiece. Yet, raw energy never precludes precision. The four musicians play with the tightness and beauty of any classical music ensemble, most evidently in the Monkishly quirky polyphony of “Flakes.” Sinton calls this early 1970s piece one of Lacy’s “greatest hits,” and it appears on many of his finest albums. The present version is closest to that from Lacy’s Black Saint classic Window, but Sinton and company give the melody additional clarity with a march feel, eschewing the original’s loping swing. Radding and Sinton breathe as one, their sound perfectly unified as Knuffke rolls out the head in gentle bursts.
Knuffke’s solo on “Flakes” references a tiny half-step motive from the tune’s intro, which, according to Sinton, is quite deliberate. “When I’d perform with Lacy, he would have us craft our solos from material found in the composition, either directly or by implication. That is often the approach we take.” Sinton’s hard-driving solo on “As Usual” derives from the tune’s highly chromatic mode. Far from impeding freedom, the practice increases the group’s focus, allowing them to expose and explore each compositional structure in minute detail while unifying each performance.
The disc exudes vigor as a live feel is constantly palpable. A first-rate recording and mix captures each musician’s contributions in clear and present sound. Every nuance in Fujiwara’s brush work carries “The Breath” airily along, and Radding’s resonantly introspective solo introduction to “Clichés” sings and grooves by turn before the band kicks it into high gear. It all adds up to a wonderful journey through Lacy’s startling and diverse sound-world, one of which the composer most certainly would have been proud.
CD RELEASE DATE: June 08, 2010
Links
For more information contact: Matt Merewitz at Fully Altered Media; call 215—629-6155 or email matt@fullyaltered.com
Darkness Wish Angels — Debut Album Scheduled on 20.06.2010
Darkness Wish Angels Кировоградская symphonic power metal группа начала свое существование 8 сентября 2009 года.Первый состав группы был таким :
• Стреленко Михаил – электрогитара , вокал
• Войтенко Олег – ударные
• Будулатий Андрей – бас гитара
• Алина – вокал
Со временем, после месяца репетиций, группа берет клавишника Гончарова Влада. За два месяца рок-коллектив дает жизнь восьми темам. Из-за низких вокальных данных и разногласий с коллективом группу покидает вокалистка. Спустя немного времени, гитарист приглашает на вокал Дерий Юлию. Состав группы :
• Стреленко Михаил – вокал, электрогитара
• Дерий Юлия – вокал
• Войтенко Олег – ударные
• Гончаров Влад – клавишные
• Будулатий Андрей – Бас гитара
До весны группа нарабатывает материал на первый альбом, в который войдет 13 песен.
Первый дебютный концерт состоялся 3.05.2010 в городе Долинская, который увенчался большим успехом. После чего группа дает сольный концерт 8.05.2010 в родном городе Кировограде, который проходит тоже успешно. На лето 2010 года у power metallистов намечается концертный тур по Украине. С 19 по 25 июня группа выступит с сольным концертом в городе Долинская, возможно коллектив заодно захватит такие города как Запорожье, Донецк, Киев, Светловодск, Одесса. С 10 июня рок-группа начинает запись дебютного альбома, выпуск первого альбома планируется 20.06.2010 года. Альбом можно будет прослушать на сайте рок-группы, заказать можно также по таким номерам: 0993601434 – Вадим, 0999438706 – Harley.
Darkness Wish Angels – Symphonic Power Metal Band
Band Manangement / Booking
Harley
Tel 38 0999438706
Vadim Ruchko
tel: 38 099 360 14 34
Web site: http://darknesswishangels.eu5.org
Blog: http://darknesswishangels.eu5.org/blog
Myspace: http://www.myspace.com/darknesswishangels
Twitter: http://twitter.com/dwa_ukraine
Facebook: http://www.facebook.com/pages/Darkness-Wish-Angels/119133004792143?ref=sgm
Youtube: http://www.youtube.com/darknesswishangels
Audiostreet: http://www.audiostreet.net/darknesswishangels
Last.fm: http://www.last.fm/music/darkness+wish+angels
PureVolume: http://www.purevolume.com/DarknessWishAngels
Soundclick: http://www.soundclick.com/darknesswishangels
DESINENCE MORTIFICATION/GIHT SHASIE CROATIAN GRINDCORE SPLIT CD PRO MADE CD
DESINENCE MORTIFICATION/GIHT SHASIE CROATIAN GRINDCORE SPLIT CD PRO MADE CD
Finally, after a few years of preparation, here we have a split release by two Croatian grindcore bands exploring different angles of the genre in full 79 minutes blast. Desinence Mortification from Pula are probably the longest-lasting Croatian grindcore band after the legendary Patareni. On their side of this CD they offer around 30 minutes of old-school grindcore, including 6 tracks from their album from 2009, 7 tracks taken off demo from 2001, and 10 tracks recorded live in 1995. Highly recommended for fans of early Napalm Death, Brutal Truth, Fear Of God and Patareni. Intense and brain-melting! Giht Shasie from Split have been making experimental dadaistic digital grindcore from 2002 to 2005 and again from 2008 to present. Due to frequent break-ups, the band is sometimes reffered to as Pok. (Deceased) Giht Shasie. After their 2004 material, a few friends of band remixed their tracks and also did a few collaborations. Those friends are Electrocutionerdz (Canada), Discopath, DJ Implant, Gruuthaagy, Mad Shepard and Rural & 4 (all from Croatia). After a few mockery albums recorded in 2008, the band reappeared to play another gig of grindcore material. In April 2009, live tracks including old material, were recorded along with a few new songs. In 2010, new studio tracks were finished together with a remix by obscure Croatian electro-industrial pioneers Zidar Betonsky. All in all, their side of CD contains over 40 minutes of raw digital grind, evocating the most creative moments of works by Agoraphobic Nosebleed, The Locust, Phantomsmasher or Ministry. Sick.»
http://www.myspace.com/desinencemortification
http://www.myspace.com/geehtshasie
http://www.myspace.com/hyperionrec
http://www.myspace.com/guranjeslitice
Finally, after a few years of preparation, here we have a split release by two Croatian grindcore bands exploring different angles of the genre in full 79 minutes blast. Desinence Mortification from Pula are probably the longest-lasting Croatian grindcore band after the legendary Patareni. On their side of this CD they offer around 30 minutes of old-school grindcore, including 6 tracks from their album from 2009, 7 tracks taken off demo from 2001, and 10 tracks recorded live in 1995. Highly recommended for fans of early Napalm Death, Brutal Truth, Fear Of God and Patareni. Intense and brain-melting! Giht Shasie from Split have been making experimental dadaistic digital grindcore from 2002 to 2005 and again from 2008 to present. Due to frequent break-ups, the band is sometimes reffered to as Pok. (Deceased) Giht Shasie. After their 2004 material, a few friends of band remixed their tracks and also did a few collaborations. Those friends are Electrocutionerdz (Canada), Discopath, DJ Implant, Gruuthaagy, Mad Shepard and Rural & 4 (all from Croatia). After a few mockery albums recorded in 2008, the band reappeared to play another gig of grindcore material. In April 2009, live tracks including old material, were recorded along with a few new songs. In 2010, new studio tracks were finished together with a remix by obscure Croatian electro-industrial pioneers Zidar Betonsky. All in all, their side of CD contains over 40 minutes of raw digital grind, evocating the most creative moments of works by Agoraphobic Nosebleed, The Locust, Phantomsmasher or Ministry. Sick.»
http://www.myspace.com/desinencemortification
http://www.myspace.com/geehtshasie
http://www.myspace.com/hyperionrec
http://www.myspace.com/guranjeslitice
Give Praise is now part of the DEADWEBZINE family!
Give Praise is now part of the DEADWEBZINE family! Check their page out, interview, reviews, etc. Metal, Punkrock, Powerviolence, Grind! There is a Give Praise news feed there, as well as News Feeds for a slew of labels! Radical!
Ideal Bread, A Steve Lacy Repertory Band, Releases 2nd CD, Transmit on Cuneiform Records June 8th
deal Bread Release 2nd Album,
Transmit, Vol. 2 of the Music of Steve Lacy
Exploring The Underappreciated Original
Compositions of Steve Lacy
Album Streets June 8, 2010 on Cuneiform Records
Ideal Breads Plays Two NYC Gigs in June:
Sun. June 6 — Live Studio Event @ 58№ 6 Media Labs — 8:00 PM
Sun. June 13 — Undead JazzFest @ Kenny's Castaways — 6:40 PM
Transmit, Vol. 2 of the Music of Steve Lacy
Exploring The Underappreciated Original
Compositions of Steve Lacy
Album Streets June 8, 2010 on Cuneiform Records
Ideal Breads Plays Two NYC Gigs in June:
Sun. June 6 — Live Studio Event @ 58№ 6 Media Labs — 8:00 PM
Sun. June 13 — Undead JazzFest @ Kenny's Castaways — 6:40 PM
Cuneiform Records is very proud to release Transmit, the second album from the Steve Lacy repertory band Ideal Bread. The quartet of expert improvisers and composers includes baritone saxophonist Josh Sinton, cornetist Kirk Knuffke, bassist Reuben Radding and drummer Tomas Fujiwara; they adhere to Lacy’s unique vision while giving each composition new life with their unique approach to free improvisation and ensemble interplay.
If anyone deserves such a project, it is soprano saxophone innovator Steve Lacy (1930—2004). He was an integral component of Cecil Taylor’s first unit, having emerged from the Dixieland revival of the late 1950s; he would then go on to liberate the soprano saxophone and reform the landscape of composition in improvised music. “Steve Lacy is one of the most idiosyncratic composers in what we call free jazz,” states Josh Sinton. “People who love free music may initially have a hard time coming to terms with his work, because they aren’t ready for the repetition and traditional rigor he brought to his pieces.”
Sinton has first-hand experience with Lacy’s brand of disciplined freedom. The group has performed with Lacy’s widow and long-standing collaborator, cellist and vocalist Irene Aebi, and she introduced Sinton to some of the tunes on Ideal Bread’s second release. However, Sinton’s relationship with Lacy’s work long predates that association. He studied with the revered soprano saxophonist from 2002—2004, as he finished up a graduate degree in jazz performance at New England Conservatory. “I took lessons from him and served as his copyist, but I also would catch his shows as often as I could. Often, we would just get together and talk. I learned something from him on every occasion.”
Upon moving to Brooklyn, New York in the summer of 2004, Sinton would bring Lacy’s music to many of his introductory sessions. “Not many people were playing Lacy’s pieces in New York at that time,” states Sinton. “Really, it had to do with the paucity of scores, and that no one was transcribing what didn’t exist in score.” Sinton proceeded to do just that, amassing a formidable library of transcriptions from which Ideal Bread draws inspiration. The music is a continual source of challenge and inspiration to Sinton. “I’m still mystified by Lacy’s approach,” Sinton muses. “Some of his writing has the repetitive quality of a nursery rhyme, some of it is more akin to Webern or other atonal composers. I’d watch Steve respond to questions about his compositional method by playing the compositions, and I am also coming to terms with the music by playing it.” The group began as a trio, Fujiwara only joining after Ideal Bread’s first six months of existence. The lineup has remained constant since, and the group has been performing regularly since 2006.
(L-R: Tomas Fujiwara, Reuben Radding, Kirk Knuffke, Josh Sinton)
Sinton compares Ideal Bread’s approach to Lacy’s championing of iconoclasts such as Thelonious Monk or Herbie Nichols. “I listen to multiple versions of a tune, and I treat the repeated elements as the composition; the rest is determined case by case.” Despite wishing to remain loyal to Lacy’s conceptions, the quartet’s 2008 eponymous debut (KMB) demonstrated with force that Ideal Bread is no mere group of imitators. Transmit makes the case even more clearly. Their rollicking reading of “The Dumps” combines elements from several versions of the tune, which Lacy performed in both solo and ensemble situations. The trilled introductory passage is there, as might be heard on Lacy’s Sands rendition, but Ideal Bread adds a whimsically wicked vocal break before launching into the fleet-footed melody proper. Lacy’s trademark near-unisons stand out as Radding and Fujiwara provide angular and rhythmically varied support to Sinton and Knuffke as they blow over this freebop masterpiece. Yet, raw energy never precludes precision. The four musicians play with the tightness and beauty of any classical music ensemble, most evidently in the Monkishly quirky polyphony of “Flakes.” Sinton calls this early 1970s piece one of Lacy’s “greatest hits,” and it appears on many of his finest albums. The present version is closest to that from Lacy’s Black Saint classic Window, but Sinton and company give the melody additional clarity with a march feel, eschewing the original’s loping swing. Radding and Sinton breathe as one, their sound perfectly unified as Knuffke rolls out the head in gentle bursts.
Knuffke’s solo on “Flakes” references a tiny half-step motive from the tune’s intro, which, according to Sinton, is quite deliberate. “When I’d perform with Lacy, he would have us craft our solos from material found in the composition, either directly or by implication. That is often the approach we take.” Sinton’s hard-driving solo on “As Usual” derives from the tune’s highly chromatic mode. Far from impeding freedom, the practice increases the group’s focus, allowing them to expose and explore each compositional structure in minute detail while unifying each performance.
The disc exudes vigor as a live feel is constantly palpable. A first-rate recording and mix captures each musician’s contributions in clear and present sound. Every nuance in Fujiwara’s brush work carries “The Breath” airily along, and Radding’s resonantly introspective solo introduction to “Clichés” sings and grooves by turn before the band kicks it into high gear. It all adds up to a wonderful journey through Lacy’s startling and diverse sound-world, one of which the composer most certainly would have been proud.
CD RELEASE DATE: June 08, 2010
Links
For more information contact: Matt Merewitz at Fully Altered Media; call 215—629-6155 or email matt@fullyaltered.com
Darkness Wish Angels — Debut Album Scheduled on 20.06.2010
Darkness Wish Angels Кировоградская symphonic power metal группа начала свое существование 8 сентября 2009 года.Первый состав группы был таким :
• Стреленко Михаил – электрогитара , вокал
• Войтенко Олег – ударные
• Будулатий Андрей – бас гитара
• Алина – вокал
Со временем, после месяца репетиций, группа берет клавишника Гончарова Влада. За два месяца рок-коллектив дает жизнь восьми темам. Из-за низких вокальных данных и разногласий с коллективом группу покидает вокалистка. Спустя немного времени, гитарист приглашает на вокал Дерий Юлию. Состав группы :
• Стреленко Михаил – вокал, электрогитара
• Дерий Юлия – вокал
• Войтенко Олег – ударные
• Гончаров Влад – клавишные
• Будулатий Андрей – Бас гитара
До весны группа нарабатывает материал на первый альбом, в который войдет 13 песен.
Первый дебютный концерт состоялся 3.05.2010 в городе Долинская, который увенчался большим успехом. После чего группа дает сольный концерт 8.05.2010 в родном городе Кировограде, который проходит тоже успешно. На лето 2010 года у power metallистов намечается концертный тур по Украине. С 19 по 25 июня группа выступит с сольным концертом в городе Долинская, возможно коллектив заодно захватит такие города как Запорожье, Донецк, Киев, Светловодск, Одесса. С 10 июня рок-группа начинает запись дебютного альбома, выпуск первого альбома планируется 20.06.2010 года. Альбом можно будет прослушать на сайте рок-группы, заказать можно также по таким номерам: 0993601434 – Вадим, 0999438706 – Harley.
Darkness Wish Angels – Symphonic Power Metal Band
Band Manangement / Booking
Harley
Tel 38 0999438706
Vadim Ruchko
tel: 38 099 360 14 34
Web site: http://darknesswishangels.eu5.org
Blog: http://darknesswishangels.eu5.org/blog
Myspace: http://www.myspace.com/darknesswishangels
Twitter: http://twitter.com/dwa_ukraine
Facebook: http://www.facebook.com/pages/Darkness-Wish-Angels/119133004792143?ref=sgm
Youtube: http://www.youtube.com/darknesswishangels
Audiostreet: http://www.audiostreet.net/darknesswishangels
Last.fm: http://www.last.fm/music/darkness+wish+angels
PureVolume: http://www.purevolume.com/DarknessWishAngels
Soundclick: http://www.soundclick.com/darknesswishangels
DESINENCE MORTIFICATION/GIHT SHASIE CROATIAN GRINDCORE SPLIT CD PRO MADE CD
DESINENCE MORTIFICATION/GIHT SHASIE CROATIAN GRINDCORE SPLIT CD PRO MADE CD
Finally, after a few years of preparation, here we have a split release by two Croatian grindcore bands exploring different angles of the genre in full 79 minutes blast. Desinence Mortification from Pula are probably the longest-lasting Croatian grindcore band after the legendary Patareni. On their side of this CD they offer around 30 minutes of old-school grindcore, including 6 tracks from their album from 2009, 7 tracks taken off demo from 2001, and 10 tracks recorded live in 1995. Highly recommended for fans of early Napalm Death, Brutal Truth, Fear Of God and Patareni. Intense and brain-melting! Giht Shasie from Split have been making experimental dadaistic digital grindcore from 2002 to 2005 and again from 2008 to present. Due to frequent break-ups, the band is sometimes reffered to as Pok. (Deceased) Giht Shasie. After their 2004 material, a few friends of band remixed their tracks and also did a few collaborations. Those friends are Electrocutionerdz (Canada), Discopath, DJ Implant, Gruuthaagy, Mad Shepard and Rural & 4 (all from Croatia). After a few mockery albums recorded in 2008, the band reappeared to play another gig of grindcore material. In April 2009, live tracks including old material, were recorded along with a few new songs. In 2010, new studio tracks were finished together with a remix by obscure Croatian electro-industrial pioneers Zidar Betonsky. All in all, their side of CD contains over 40 minutes of raw digital grind, evocating the most creative moments of works by Agoraphobic Nosebleed, The Locust, Phantomsmasher or Ministry. Sick.»
http://www.myspace.com/desinencemortification
http://www.myspace.com/geehtshasie
http://www.myspace.com/hyperionrec
http://www.myspace.com/guranjeslitice
Finally, after a few years of preparation, here we have a split release by two Croatian grindcore bands exploring different angles of the genre in full 79 minutes blast. Desinence Mortification from Pula are probably the longest-lasting Croatian grindcore band after the legendary Patareni. On their side of this CD they offer around 30 minutes of old-school grindcore, including 6 tracks from their album from 2009, 7 tracks taken off demo from 2001, and 10 tracks recorded live in 1995. Highly recommended for fans of early Napalm Death, Brutal Truth, Fear Of God and Patareni. Intense and brain-melting! Giht Shasie from Split have been making experimental dadaistic digital grindcore from 2002 to 2005 and again from 2008 to present. Due to frequent break-ups, the band is sometimes reffered to as Pok. (Deceased) Giht Shasie. After their 2004 material, a few friends of band remixed their tracks and also did a few collaborations. Those friends are Electrocutionerdz (Canada), Discopath, DJ Implant, Gruuthaagy, Mad Shepard and Rural & 4 (all from Croatia). After a few mockery albums recorded in 2008, the band reappeared to play another gig of grindcore material. In April 2009, live tracks including old material, were recorded along with a few new songs. In 2010, new studio tracks were finished together with a remix by obscure Croatian electro-industrial pioneers Zidar Betonsky. All in all, their side of CD contains over 40 minutes of raw digital grind, evocating the most creative moments of works by Agoraphobic Nosebleed, The Locust, Phantomsmasher or Ministry. Sick.»
http://www.myspace.com/desinencemortification
http://www.myspace.com/geehtshasie
http://www.myspace.com/hyperionrec
http://www.myspace.com/guranjeslitice
суботу, 9 жовтня 2010 р.
пʼятницю, 8 жовтня 2010 р.
Untitled
DESINENCE MORTIFICATION/GIHT SHASIE CROATIAN GRINDCORE SPLIT CD PRO MADE CD http://ping.fm/lrg4n
via Ping.fm
четвер, 7 жовтня 2010 р.
DEEP SH*T – CREEPIN’ WHILE YOU SLEEPIN’ 7″ OUT NOW – Give Praise Records http://ping.fm/cU0m1
Untitled
Turisas: unleash „Supernaut“ digital, start mixing upcoming album! http://ping.fm/NRL8a
via Ping.fm
Untitled
Architects (UK): UK tour selling out, Scandinavia added to tour with BMTH http://ping.fm/iRfHa
via Ping.fm
Untitled
Intronaut: “Valley Of Smoke” European release date! Hear and see! http://ping.fm/pPdwY
via Ping.fm
Untitled
Norther: want YOU to create the cover-artwork for the upcoming new album! http://ping.fm/hKXhL
via Ping.fm
Untitled
DEEP SH*T – CREEPIN’ WHILE YOU SLEEPIN’ 7″ OUT NOW – Give Praise Records http://ping.fm/cU0m1
via Ping.fm
вівторок, 5 жовтня 2010 р.
понеділок, 4 жовтня 2010 р.
DUST TO DUST FEST Valencia 2010 – Death Over Threat, From Nowhere, Demonished, Icepressive, Meltdown http://ping.fm/qpsYz
The Pentagram Fest I – Severe Torture, Interment, Machetazo, Looking For An Answer, Ataraxy http://ping.fm/c51cP
Untitled
DUST TO DUST FEST Valencia 2010 – Death Over Threat, From Nowhere, Demonished, Icepressive, Meltdown http://ping.fm/qpsYz
via Ping.fm
Untitled
The Pentagram Fest I – Severe Torture, Interment, Machetazo, Looking For An Answer, Ataraxy http://ping.fm/c51cP
via Ping.fm
неділю, 3 жовтня 2010 р.
суботу, 2 жовтня 2010 р.
Untitled
BRUTAL TRUTH: Announce Southern U.S. Tour Dates; Debut Live Footage From Japan http://ping.fm/szkBG
via Ping.fm
пʼятницю, 1 жовтня 2010 р.
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